Author Laura Woodswalker is a nature and science-obsessed nerd who believes that writing, art, and music are true expressions of the transcendent.
My name is Laura Woodswalker. I’m a retired cat lady who has raised three children, worked various nursing and graphics jobs, and written several books to save my sanity. Music, art, and writing have always been my favorite time-wasters. In addition to writing books, I produce electronic music and visual arts. I also perform at the electro-music festival in New York state. Between projects, I also do weaving and various DIY crafts.
When and why did you begin writing?
When I was 12, I became obsessed with the Incas and wrote a novel about them. But my writing has often been episodic, in response to difficult times in my life. I wrote my first SF novel in the late 70s when my bluegrass band broke up. After my divorce, I wrote a 200K novel about the Khazars.
When did you first consider yourself a writer?
I don’t really. I don’t have this ironclad compulsion to write all the time—only when I get an idea that forces me to write it.
Can you share a little about your current book with us?
TESLA’S SIGNAL is a historical science fiction novel based on the life of electrical genius Nikola Tesla, who gave us the world’s electrical system. In 1899, while experimenting with high-frequency currents, Tesla believed he had received a signal from an extraterrestrial civilization.
This inspired me to write about an alien visitation in the early 1900s. The invaders try to recruit Tesla for their conquest of Earth. After he escapes them, he is the only human with the scientific know-how to counter their mind-control frequency devices. The authorities, meanwhile, blame him for the aliens’ devastation and hunt him as a public enemy. Nikola and his colleague Clara are the only ones who can save the world!
What inspired you to write this book?
When I read Tesla’s biography, I saw that his life was “a science fiction story that practically wrote itself.” I did not feel qualified to write a SF novel about an electrical genius…but I felt as if Tesla had grabbed me by the throat and demanded I write his story.
Do you have a specific writing style?
When readers enter our world, they are blind, deaf and crippled. They depend on us to take them everywhere. So I don’t like to distract them with too much ‘show-don’t-tell’. At the same time, I prefer to tell a story rather than make my readers wallow in suffering. Conversation and human interaction are the backbone of a compelling scene. Also, I like to throw a bit of humor into my dramatic scenes.
How did you come up with the title of this book?
It was a no-brainer . . . although the signal was actually something that Tesla received, rather than one which he sent.
Is there a message in your novel that you want readers to grasp?
On the surface, my novel is a classic adventure story. But there are deeper levels in which I explore the soul of a lonely genius who finds love and transcendence. The message is how my characters overcome their fears and temptations, find courage and love, and the willingness to sacrifice themselves for humanity.
Are experiences in this book based on someone you know or events in your own life?
The character Clara, a Yiddish immigrant who becomes Tesla’s colleague, is very much drawn from the culture of my immigrant grandparents. Much of the novel is set in New York City, where my grandparents lived. When my characters must flee to a remote location, I put them in the mountains of Central Pennsylvania where I grew up. They meet a professor who can help them—and he is based on my father, an engineering professor.
What authors have most influenced your life? What about them do you find inspiring?
Zenna Henderson, my #1 favorite author, wrote about “The People”–telepathic aliens whose ancestors crash-landed in the southwest in the 1800s. The stories depict their attempts fit in with normal Earthlings, without losing their unique gifts and differences. How could this theme not resonate with a lonely high-school outcast? Likewise, my other favorite author, Clifford Simak, wrote about “mutants” who tried to save the world while facing persecution. With my ethnic background, I could certainly relate to this. My favorite science fiction theme has always been the noble mutant, alien, and the gifted outcast.
If you had to choose, is there a writer you would consider a mentor? Why?
In the 80s I discovered Marion Zimmer Bradley and the Darkover conventions. This subculture was my gateway to SF cons and meeting other writers. I then discovered the Philadelphia SF Writers Workshop. I attended this sometimes grueling workshop for many years. One could not ask for a better writers’ boot camp. After critiquing and being critiqued for many years, I learned how to hear an editor’s voice inside my head.
Who designed the cover of your book? Why did you select this illustrator?
I designed my own cover. I was an art major with a degree in computer graphics, so I felt that if I hired someone else I would be wasting my education.
Do you have any advice for other writers?
Take the advice with a grain of salt. The main point in writing is “variety”. Vary your sentences, types of scenes, styles. Readers have short attention spans. Also, transcend your ego. It is going to get hurt; that’s part of the process.
Do you have anything specific that you want to say to your readers?
This is a stand-alone novel, but the companion volume TESLA’S FREQUENCY should be out in a few months.